Skip to main content

LR: film industry assessment

1) MARK: 7/15 GRADE:D

WWW: Q3 shows a strong opinion and real agreement with the debate. This demonstrates the potential you have in media!

EBI: Lacking key knowledge- film regulation. This is the inevitable consequence of not completing the work we set. Lack of depth/ detail and specific reference to the CSP (Chicken). You needed a lot more for Q3 in particular... you didn't address the other side of the debate (funding, commercial success).

2)Q1: 1/2
Q2: 2/4
Q3: 4/9

3)Film festival circuit.

4)It is not important for the BFI to focus on social-realist films as they are low budget; meaning that they are wasting their money on small films which probably won't get much recognition. They should be focusing on the big Hollywood films which will draw in a much bigger audience therefore, they won't be wasting their money.

5) It is important that the BFI to make social-realist films as they contain topics that are considered as sensitive therefore, they are unspoken of. It shows people the negative lives that some people live. Usually they focus on what is going on in someone's life and the way they live with a certain situation. Predominantly, all of the social-realism films include a message to the audience in order to create a sense of social awareness.


Comments

Popular posts from this blog

The rise of foreign- language TV

ARTICLE 1:  International feature on foreign- language dramas: 1) The article says that foreign-language dramas are mainstream. 2) Walter Iuzzolino says that he watches thousands of hours of popular foreign-language dramas. Everything that he chooses to be streamed must be mainstream and 'award-winning' in their native country. 3) It suggests that today's society would choose a foreign-language drama over other traditional British TV shows. 4) The article suggests that people watch these types of dramas as it helps the audience to divert as they are able to gain entertainment from them and also to discuss them with others. 5) Channel 4 and Global Sales Network. ARTICLE 2: Film school rejects, The foreign TV dramas that you're missing out on: 1) The article says that, June 2015, Deutschland 83 was the first German-language series to premiere on a US network. It was released to premiere on Channel 4 in January 2016. 2) In Germany, 3.19 million people watched the

BFI: factsheets

Factsheet #132 1) It is a film that includes British characters, settings which shows parts of British culture. 2) As a production context, the British Film usually has a varied story. But the Hollywood production context means that most films made by Hollywood studios have high budgets and use popular celebrities. 3) The James Bond franchise began in the 1960s. 4) Gradually, the acceptance for sex, violence and crime imcreased. There was the idea that the media was losing its purity. 5) British film have explored issues like class, politics, social change and education. 6) Producers usually add in some humour during any type of film as the British audience tend to enjoy this. Factsheet #100 1) There are four parts: cultural context, cultural contribution, cultural hubs and cultural practitioners. The minimum score is 16 out of 32. 2) 3) The BFI is production led. This means that film makers have to sacrifice distribution rights by selling their film to a distribution compan

TV index

1) Introduction to TV Drama 2) Capital: Case study 3) Capital: Marxism and Hegemony 4) Capital: Applying Marxism 5) Deutschland 83: Case study 6) Deutschland 83: Close-textual analysis notes 7) Deutschland 83: Postmodernism 8) Industries: The rise of foreign-language TV dramas 9) Industries: The impact of new/digital media on television 10) TV: 750-word exam question